Paula Martinez’s installation, “A Cyborg Industrial Complex”, explores the use of camouflage as the best representation of “self” as defined by Donna Haraway’s 1984 essay, A Cyborg Manifesto. The installation uses camouflage to help visualize our most tacky, obnoxious, shy, and neutral selves as series of inter-woven, connected, and overlapping identities.
John Scharbach is a veteran of the DC music scene. He’s a founding member of the Washington DC band GIVE, owner of Shining Life publishing, and runs Moshers Delight and New Absolute record labels. Materializing Patterns is his first painting exhibition